Wrong (2013)
Wrong
”A man searches for his lost dog in a surreal journey of absurdity.”
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Why watch this film?
A movie that has the strange and peculiar as its great characteristics. That's what makes 'WRONG' something unique.
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Plot summary
Dolph Springer awakens one morning to find he has lost the sole love of his life – his dog, Paul. Desperate to reunite with his best friend and to set things right, Dolph embarks on a journey which spirals into the realm of the absurd.
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From the same director
Keep an Eye Out
From the French DJ-turned-absurdist filmmaker Quentin Dupieux comes this strange comedy of black humor, a mix of genius and foolishness, as almost all the action takes place in the interrogation room of a police station. 'In the Station' is an offbeat experiment in French (and world) cinema that might just convince you to watch for one reason: it's only 73 minutes long.
Deerskin
"Le Daim" couldn't be a stranger movie -- and that's what makes it so fascinating. After all, director Quentin Dupieux (of the equally strange "Réalité" and "Rubber") follows here the story of a man obsessed with buying a deerskin jacket that costs him all his savings. From there, Jean Dujardin's character (from the award-winning "The Artist") enters a spiral of madness and obsession, setting the tone and rhythm of the film. Although "Estilo Matador" doesn't have the same degree of bizarreness as the telepathic tire of "Rubber", the feature film plays with the limits of narrative and constantly challenges the viewer to embark, along with the protagonist, in this moment of insanity. In addition to Dujardin, highlight the performance of Adele Haenel ("Portrait of a Young Woman on Fire"), who leaves her usual roles to play an eccentric character.
Reality
This movie doesn't make sense. Relax, in this case that's not a flaw - director Quentin Dupieux (of 'Wrong' and 'Rubber, the Killer Tire') wrote and directed a work that, at the same time, makes a curious critical analysis of the film industry while not taking itself too seriously, without the traditional bounds that exist when telling a story. Watch unarmed and expect a different language. If you follow these advises, you'll surely find a strange (and good) entertainment in this feature film.
Yannick
French filmmaker Quentin Dupieux is known for his films with storylines as insane as they are provocative and ridiculous: a tire that comes to life (Rubber), men obsessed with deer leather jackets (Deerskin), a trash parody of Japanese superheroes (Smoking Causes Coughing). In Yannick, the director returns to his twisted humor to tell the story of the titular security guard (Raphaël Quenard). One day, he goes to the theater to see the play Le Cocu, but unsatisfied with it, he decides to take the entire theater hostage, take ownership of the text, and rewrite it. Through its simple (yet very funny) humor, the film raises questions about ownership and expectations surrounding a work of art. Once made public, is its owner the author, the audience, or a combination of both?
Comedy
A Brighter Tomorrow
Italian filmmaker Nanni Moretti (winner of the Palme d'Or in 2001 for The Son's Room) returns with what has been called his 8½, for obvious reasons. A Brighter Tomorrow is the story of a filmmaker struggling to shoot a movie about the Hungarian Revolution, while trying to save his marriage to his producer wife. The film satirizes the current state of cinema, and perhaps indulges a bit too much in its nostalgia. It is far from the best that veteran Moretti has to offer, but if you've enjoyed his previous films, you will undoubtedly enjoy this one.
City Hunter
'City Hunter' - An exceptional marksman and hopeless playboy, private eye Ryo Saeba reluctantly forms an alliance with his late partner’s sister to investigate his death.
Club Zero
Club Zero is a film with a risky proposition: to understand how young people, especially those of Generation Z, dive headfirst into new trends to feel like they belong to something. But at what cost? That's what this complicated film by Jessica Hausner (Little Joe) seeks to understand. Complicated, not because it has any complexity, but because it tackles a thorny issue (this particular behavior) and further complicates it by addressing eating disorders, with young people stopping eating for the sake of a better world. With not much material to discuss, the film ends up going in circles and dangerously falling into emptiness. However, Hausner still manages to find some space to reflect on where the world is heading and, above all, where this dangerous herd behavior is taking us — something that, ultimately, the film itself ends up embracing by adhering to trends reminiscent of Wes Anderson's style and Greek cinema aesthetics.
Aumenta que é Rock’n’Roll
The film tells the story of Luiz Antônio, a clumsy radio presenter who, unexpectedly, finds himself in charge of a bankrupt and falling apart radio station. Relying only on his passion for rock’n’roll and a crazy team, he created one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM. Between guitar solos and signal interference, we follow the adventures and misadventures of Luiz who, on top of that, falls in love with a married announcer.
