Trailer
Why watch this film?
Based on Neil Gaiman's homonymous novel (of 'Coraline'), 'Stardust' is an adventure and fantasy movie "like in the old days", very much in the style of the old 'Star Wars', 'Indiana Jones' or, going back even further, 'The Adventures of Robin Hood' with Errol Flynn, but praised for its visual effects of its time. It surely has a top-notch creative team, starting with director Matthew Vaughn and screenwriter Jane Goldman (whose duo was worth it as 'Kick-Ass', 'X-Men: First Class' and 'Kingsman'), Plus a luxury cast led by Charlie Cox ('Daredevil'), Claire Danes ('Homeland'), Robert De Niro ('Taxi Driver'), Michelle Pfeiffer ('Batman Returns') and Ian McKellen ('The Lord of the Rings') as narrator. A modest underrated gem - and somewhat anachronistic - that you will really love if you're a fan of fantasy and adventure.

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In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical realm.
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Where to watch?
Available at home
From the same director

X-Men: First Class
After the disaster of 'X-Men: The Last Stand', Fox called director Matthew Vaughn ('Kick Ass') to rescue the mutant franchise. The result is this film that, although it does not have a budget at the same level of previous releases (which is very noticeable in some moments), manages to rescue the magic of X-Men in cinema with a plot that evokes the bases of the comics, including the ethnic issue of the 1960s. The movie tells the origins of Professor Charles Xavier's team and the first contact of the mutant with the future arch-enemy Erik Lensherr, Magneto. In the cast, we have stars of the new generation such as James McAvoy, Michael Fassbender, Jennifer Lawrence and Nicholas Hoult, as well as ex-Footloose Kevin Bacon. Another highlight is the competent soundtrack, which differs greatly from the previous chapters, signed by Henry Jackman (also composer of 'Captain America: Civil War').

Kick-Ass
At a time when superheroes were still in a growth period and little had been explored in this sector, director Matthew Vaughn (of 'Kingsman') decided to pursue this curious comic book story of a school loser who becomes a superhero. It's a stylized, violent, and almost nonsensical production. Yet it still manages to elicit some laughs and, even after the "Marvel wave," shows how it's possible to find freshness in the stories of these figures dedicated to saving the world.

The King's Man
Prelude to the 'Kingsman' franchise, 'The King's Man: The Origin' brings the beginning of the international private agency - and British nobility - still during the events of World War I. In an extremely fictionalized universe (and therefore do not take anything from it as truth), we see how the Duke of Oxford (Ralph Fiennes, from 'The Constant Gardener') transformed a traditional tailor into the guarantor of world peace. The cast is still completed by Gemma Arterton ('Clash of the Titans'), Harris Dickinson ('Beach Rats'), Aaron Taylor-Joy ('Kick Ass'), Daniel Brühl ('Rush'), Djimon Hounsou ('Guardians of the Galaxy') and Rhys Ifans ('The Amazing Spider-Man') - the latter great in the role of Rasputin, the mystic who was the most influential man in the Russian Empire. In the direction we have the return of Matthew Vaughn - responsible for the two previous films in the series - who once again imprints his style with great action scenes, although he slips in the fact that he does not know if this is a serious production or a farcical story. A bit of self-awareness would do well. To watch without taking seriously.

Kingsman: The Secret Service
Based on the comic books 'Kingsman Vol.01: The Secret Service', by Mark Millar ('Kick-Ass') and Dave Gibbons ('Watchmen'), the movie takes archetypal spy stories and expands them to nuclear proportions. The result are action sequences full of humor and adrenaline, with the most absurd technology. For some it will be a ridiculous movie, for others one of the best of the decade in the action genre. Whatever your decision is, Samuel L. Jackson is the villain, and that's always worth watching.
Adventure

We Lost Our Human
This is a fun, interactive Netflix special (in the same vein as Black Mirror: Bandersnatch and Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend), with an animation style reminiscent of cartoons like The Amazing World of Gumball or Steven Universe. The premise of We Lost Our Human is eccentric: two spoiled pets are the only ones who can travel to the center of the universe to fix a technical glitch that has made humans disappear. Like other Netflix interactive specials, the viewer only has to choose between different paths at certain times, resulting in different versions of the story.

The Magician's Elephant
Follows Peter, who is searching for his long-lost sister. When he crosses paths with a fortune teller in the market square, he want to know, is his sister still alive? To get the answer, he must find a mysterious elephant and the magician who will conjure it, setting Peter off on a journey to complete three seemingly impossible tasks that will change the face of his town.

The Boy, the Mole, the Fox and the Horse
Based on the homonymous illustrated book by Charlie Mackesy, 'The Boy, the Mole, the Fox and the Horse' is a beautiful animated short film exclusive to Apple TV+. Through art direction that looks like an animated watercolor - imitating the style of the book -, the film tells the simple story of empathy and friendship between the four title characters. Beautiful and totally appropriate for children, although it will certainly warm the heart of even the toughest adult.

Shazam! Fury of the Gods
Sequel to the 2019 film, 'Shazam! Fury of the Gods' starts differently. Billy Batson (Asher Angel) is now a teenager, nearing adulthood, who can transform into a superhero (Levi) when he invokes a sort of mystical power. Now, however, he is not alone: his foster siblings also share the power and begin to defend the city of Philadelphia, in the United States, from villains. This is the case with three Greek gods (Helen Mirren, Rachel Zegler, Lucy Liu) who threaten the superhero family by facing other strong mystical powers. The film doesn't have the brilliance of DC's "independent" productions like 'Batman' and 'Joker', but it's also far from being a disaster like 'Batman v. Superman', 'Justice League', and even 'Wonder Woman 1984'. The film has a certain freshness, similar to that seen in Gunn's 'The Suicide Squad'. Like in the first feature, director David F. Sandberg ('Lights Out') knows that Shazam's story cannot be as grand as Batman's journey on the big screen, for example, or Superman's. He needs to focus on the little, on the closeness of these heroes who are actually teenagers experiencing almost magical powers. That's where the fun and the difference of the film lies, which doesn't take itself too seriously and therefore doesn't make any commitment to the viewer to be grand or opulent. It goes straight to the point, being its main virtue and making the experience the most enjoyable possible in the end.
