Motel Destino (2024)
Motel Destino
”Dayana, trapped in an abusive marriage, forms a dangerous alliance with Heraldo at Motel Destino.”
Plot summary
Dayana lives an abusive marriage with former police officer Elias, owner of Motel Destino. When 21-year-old Heraldo finds himself at the motel after messing up a hit and going on the run, Dayana finds herself intrigued and lets him stay. As the two navigate a dance of power, desire and liberation, a dangerous plan for freedom emerges.
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From the same director
Invisible Life
Grab a tissue before watching this historical drama that won the Jury Prize at Cannes' Un Certain Regard section. Seventeen years after directing 'Madame Satã', Karim Ainuz returns to mid-20th century Rio de Janeiro, this time telling the story of two sisters, Eurídice (Carol Duarte) and Guida (Julia Stockler), who are separated by conservative parents without knowing each other's whereabouts. As they try to reunite, they must continue their lives dealing with the machismo and conservatism inherent in Brazilian society. The highlight of the film is the moving performance of the young actresses, as well as the original soundtrack composed by German Benedikt Schiefer, the attentive art direction of Rodrigo Martirena and the photography of French Hélène Louvart (who, it is worth remembering, signs the also acclaimed 'Lazzaro Felice'). Even though short, the incredible participation of the Brazilian cinema lady, Fernanda Montenegro, stands out. For all this, it is no wonder that 'A Vida Invisível' was chosen to represent Brazil at the 2020 Oscars.
Central Airport THF
Besides having established himself in melodrama with films like 'A Vida Invisível' and 'Céu de Suely', filmmaker Karim Aïnouz also took a risk in documentaries such as 'Catedrais da Cultura' and 'Sertão de Acrílico Azul Piscina' -- however, always sharing the direction with other partners. Now, however, he takes his first solo flight in the genre with 'Zentralflughafen THF', awarded at the Berlin Festival. Here, he maintains his contemplative and melodramatic style to talk about the deactivated Berlin-Tempelhof airport, which today serves as a meeting point for Germans and refugees. Karim's own style is undeniable, making use of a repressed emotion in the portrait of the people who cross that environment full of stories. It doesn't have the strength of his dramas, but it shows, from this curious story, the award-winning filmmaker's look at everyday events. Those who like Karim's style of films will undoubtedly find solace here.
Nardjes A.
Directed by the talented Karim Aïnouz (‘The Invisible Life’), ‘Nardjes A.’ seeks to particularize a popular revolt, a revolution, from the point of view of this female protagonist who gives the feature its title. However, the feeling is that the idea does not evolve from there. Although the director has some interesting editing resources along the way, the plot does not evolve much and ends up skating in the middle of similar meanings. The interviewed character, meanwhile, is stuck in the middle of that crowd looking for a breath, an escape, anything. But it doesn't happen. Some viewers will undoubtedly find the documentary repetitive and a bit tiring. But pay attention: at the heart of the matter, there is a look at the individual struggle and the importance of each person.
Suely in the Sky
Karim Aïnouz is, among many things, a filmmaker of Brazilian drama, which in his filmography becomes much more than a genre, but rather a careful and deep reading of social context, regionalism and culture. These readings guide his filmography and create a unique and personal work that can communicate with anyone who sees the economic and social plurality of our country. A work of enchanting sensitivity, a contained drama and a simple narrative where every act is a socio-political manifesto that cries out for the recognition of the individual. They are people marginalized by their humble social condition, to whom the right to dream, make plans, and seek a better future is not reserved. Thus, Suely is a political body in a head of dreams, who wants to be able to see beyond the horizon and break out of her social norm. A portrait above all naturalist in all its details, which exudes Brazil and the Northeast in scenarios so true that they confuse reality and fiction. It is the beauty of the mundane, it is Aviões do Forró playing, a sound car, the mototaxi or the goodbye sign "Aqui começa a saudade de Iguatu".
Mariner of the Mountains
Awarded at Cannes and nominated for an Ariel for the movie 'The Invisible Life of Eurídice Gusmão', Brazilian and Algerian-ascended filmmaker Karim Aïnouz presents a personal film that works as a travel diary. With narration and a mix of subjective images (some of them fixed), it is an exploration of feelings of loss, as well as identity in displacement, with a melancholic tone reminiscent of Chris Marker's classic 'The Pier' ('La Jetée').
Thriller
He Went That Way
He Went That Way is a taut thriller centered on the true story of a celebrity animal trainer who picks up a hitchhiker, only to discover his passenger is a young, cunning serial killer.
Out of Darkness
The stunning feature film debut of director Andrew Cumming is what happens when you take the horror and survival thriller to its most basic elements, in more ways than one. Out of Darkness is set in the Stone Age, 45 thousand years in the past, and follows a small group of people looking to build a new home in a desolate landscape. However, as darkness falls, they realize they are not alone, and that an evil lurking in the shadows seeks to consume them. The film's great achievement is to create an atmosphere that connects us to our most primal and natural fear: the fear of dying at any moment, due to human fragility in the face of the world's dangers. Darkness and uncertainty are the big monsters here, something few horror films manage to convey effectively.
Boy Kills World
In Boy Kills World, Bill Skarsgård (IT) plays another somewhat disturbed protagonist. Here, he swears revenge after his family is murdered by Hilda Van Der Koy (Famke Janssen), the disturbed matriarch who left the boy orphaned, deaf, and voiceless. With shades of John Wick, the young man seeks to become an instrument of death and promises to cause bloody chaos, ideal for those who enjoy a movie with few scruples and visually appealing aesthetics. It doesn't bring much new to the genre, but it's at least entertaining.
Winnie-the-Pooh: Blood and Honey 2
Winnie the Pooh: Blood and Honey 2 is the unlikely sequel to the feature film that placed the characters of this playful and childlike universe into a world of violence and horror. However, don't expect a production as weak as the previous film: with the success of the first installment at the box office, the production had more money to invest, and thus Winnie the Pooh: Blood and Honey 2 manages to be more realistic, violent, and impressive compared to the first film. The characters' masks are much scarier, and it ceases to be a complete joke. It's still difficult to take the film entirely seriously, especially with this bizarre premise of Pooh and his friends seeking bloody revenge, but you can already feel more fear and, above all, immerse yourself in the wave of violence that the film promotes. To have fun with friends.
